About
"Part memoir, part autobiography, and part paean to the late Detroit playwright and poet Ron Allen, W—/M— pits Mnemosyne against Minerva, stringing and unstringing the clothesline of childhood, the lunch lines of adolescence, and the assembly lines of southeastern Michigan. Harryman traces and retraces the line per se as nomadic consciousnesses multiplying beyond the doubles that mark, and thus engender, the self-patrolled borders of identities. At each turn Harryman burrows into the interstices between, among, the grammars that partition normative life from its estranged twin(s). Think of W—/M— as an ode to a thinking that outflanks the actual—and so, makes the actual the center from which all thinking radiates."—Tyrone Williams.
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