The Silver Fork Novel

The Silver Fork Novel

Fashionable Fiction in the Age of Reform

by Edward Copeland

308 pages· 2015· ISBN 9781107507661

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In the early nineteenth century there was a sudden vogue for novels centring on the glamour of aristocratic social and political life. Such novels, attractive as they were to middle-class readers, were condemned by contemporary critics as dangerously seductive, crassly commercial, designed for the 'masses' and utterly unworthy of regard. Until recently, silver-fork novels have eluded serious consideration and been overshadowed by authors such as Jane Austen. They were influenced by Austen at their very deepest levels, but were paradoxically drummed out of history by the very canon-makers who were using Austen's name to establish their own legitimacy. This first modern full-length study of the silver-fork novel argues that these novels were in fact tools of persuasion, novels deliberately aimed at bringing the British middle classes into an alliance with an aristocratic program of political reform.

Discussion questions for The Silver Fork Novel

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  1. 1

    Copeland argues that silver-fork novels were "tools of persuasion" aimed at political reform. What specific aspects of his argument or examples did you find most compelling in supporting this thesis?

  2. 2

    The description highlights the paradox of silver-fork novels being influenced by Austen yet "drummed out of history" by canon-makers using her name. How does Copeland illuminate this complex relationship between Austen's legacy and the critical reception of silver-fork novels?

  3. 3

    Contemporary critics condemned silver-fork novels as "dangerously seductive" and "crassly commercial." How does Copeland challenge or reframe these historical judgments, and what does this reveal about the nature of literary criticism in the early nineteenth century?

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