Méthode pour exercer l'oreille a la mesure

Méthode pour exercer l'oreille a la mesure

by Alexis Bacquoy-Guédon

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In part one of this treatise, Bacquoy-Guédon (fl. 1780) presents a short history of dance as well as arguments in favor of dancing. The focus of this section is devoted to performance of contredanses and minuets. Part two contains eight-bar triple-meter airs for minuets and eight-bar duple-meter airs for contredanses, all composed for a single treble instrument. Additional music is included for a variant of the contredanse called the contredanse allemande (in triple-meter), a marche, and two rigaudons. The treatise concludes with a diagram of figures and music for the minuet.

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