L'espace "sensible" de la dramaturgie musicale

by Héloïse Demoz, Giordano Ferrari, Alejandro Reyna

Book 8 of Collection Arts

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"Au cours du XIXe siècle les compositeurs d'opéra prennent conscience que le théâtre peut être pensé en tant qu'espace expressif susceptible de s'intégrer à l'écriture musicale afin de véhiculer du sens. Au XXe siècle, cette idée se développe aussi à l'aide de croisements avec les expériences des avant-gardes théâtrales, et contribue à transformer la conception même de la scène du théâtre musical (qui devient aussi multimédia). L'idée d'espace "sensible" ouvre ainsi une perspective originale pour aborder l'étude des processus qui porte vers les formes de théâtre musical d'aujourd'hui."--Page 4 of cover.

Discussion questions for L'espace "sensible" de la dramaturgie musicale

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1
How do you personally perceive the relationship between physical space and the emotional weight of music when you experience a live performance today?
2
The book traces how 19th-century opera composers began viewing the theater as an expressive space integrated with musical composition; how does this shift change the way we should listen to opera compared to purely instrumental music?
3
In what ways do you think the integration of avant-garde theatrical experiments in the 20th century redefined the boundaries between music, drama, and visual art?

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