The modern portrait in nineteenth-century France

The modern portrait in nineteenth-century France

by Heather McPherson

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"This interdisciplinary study examines the evolution of French portraiture after the advent of photography, focusing on the portrait as a contested site of representation and on the diverse strategies that artists deployed to revitalize and modernize the portrait during the second half of the nineteenth century. In six case studies of French artists, ranging from Sarah Bernhardt to Paul Cezanne, McPherson explores the complex interplay between painting and photography and the sociocultural, stylistic, and phenomenological complexities of the modern portrait. By considering portraiture within the broader cultural matrix of history, biography, and artistic and literary cross-currents, together with shifts in the production and consumption of images, McPherson deftly situates the modern portrait at the epicenter of nineteenth-century visual culture."--Jacket.

Discussion questions for The modern portrait in nineteenth-century France

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  1. 1

    McPherson describes the portrait as a "contested site of representation" in 19th-century France. What were the primary forces or ideas contesting the traditional role of portraiture, and how did artists respond to these challenges?

  2. 2

    The advent of photography is central to this study. How did photography specifically challenge painted portraiture, and what distinctive qualities did painting retain or develop to reassert its unique value, according to McPherson?

  3. 3

    McPherson explores how artists "revitalized and modernized" the portrait. In our own era of selfies, social media profiles, and AI-generated images, what do you believe constitutes a truly "modern" or "revitalized" form of portraiture today, and what makes it distinct from simple documentation?

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