Mit dem inneren Auge sehen

Mit dem inneren Auge sehen

by Jonas Beyer, Steven Reiss

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The point of reference of the exhibition and the accompanying catalog is the subject of inner contemplation, subtly discussed in self-portraits from Rembrandt to Beckmann, more explicitly expressed in masterpieces such as in Diirer's "Melencolia" (1514). A separate section is the motif of the blind minotaur, which Picasso repeatedly took up.

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