En vers français, Voila d’Anacréon Une imitation nouvelle, par de Mérard-Saint-Just

8vo. pp. xviii, 72. Mid-19th-century turquoise vellum-backed marbled boards, red morocco lettering-piece on spine. One of 18 copies printed on “papier de Pontusceaux et Verjures”; 16 were printed on “papier-vélin superfin de la fabrique de la Garde,” and two on “feuilles du plus beau vélin d’Allemagne.” Engraved bookplate of Edith Hélène Le Bas (1888-1975) on front paste-down.

First edition of Mérard de Saint-Just’s rare translation of Anacreon, signed by the author below the statement of limitation, which declares that any unsigned copy is a forgery. Known best for his libertine poetry and book collection, Mérard de Saint-Just (1749-1812) was born into a family of great wealth and, for a number of years, was in charge of the residence of the future Louis XVIII. After retiring from his public duties in 1782, he concentrated on his growing collection of books and on commissioning editions printed in severely limited numbers, such as the present volume, of only 36 copies. In his preface, Mérard de Saint-Just begins by stating that his translation is but a “print” forever in the shadow of Anacreon’s “painting.” He insists that classical poetry is too often translated into French prose, and that in this work he has “pecked at the juice of Anacreon’s flowers and from that composed my honey.” The verse translation is followed by a poem in the form of a dialogue (pp. 55-72), entitled “Dialogue en vers, pour Célébrer nos Victoires et la Paix […],” appearing in print here for the first time.

See Nouvelle biographie générale. Paris, 1861, 34, cols. 1022-24; J.-M. Quérard, Les supercheries littéraires dévoilées; seconde édition, considérablement augmentée, publiée par MM. Gustave Brunet et Pierre Jannet. Paris, 1882, III, 1643.

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