Peter Arno
by Peter Arno
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About
Peter Arno's work, once described as "a matter of some forty or fifty bold strokes of black against white, bound together by grey wash," represents perhaps the most classic of The New Yorker cartoon styles. Here is the best of that work, from first to last, with caricatures of everyone from big businessmen to showgirls, high-society fops to everyday milquetoasts.
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