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"Este libro ratifica la incorporación de su autora (1957) a la literatura boliviana contemporánea. Persistente y efectivo, este discurso crea sobre todo un espacio deshabitado donde los objetos pierden su materialidad y volumen. Las cosas de su mundo poético son transformadas ineludiblemente en aire, luz, niebla, altura, transparencia y otros referentes que remiten reiteradamente a formas de lo inmaterial. No obstante, este proceso no impide que la poeta realice su pensamiento poético sobre aspectos concretos que le conciernen"--Handbook of Latin American Studies, v. 58.
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