Absent for several years from the country, upon his return, Claudio Larrea (Buenos Aires 1963) needs to retake the city. He regularly goes out to photograph it and the distance of his missed gaze allows him to see what we have stopped seeing: decadence and grandeur, marginality, social tension, amazement and anguish of an unimposed majesty. The result of this random photographic hunt will then be organized ith the complicity of José Manuel Elliot Eyras, Larrea's partner, who knows his way in the city and acts almost as a curator in the shadows. The outcome of these nocturnal tours is República de Waires, title that refers to the Weimar Republic (officially named The German Reich). Instituted after the fall of the German Empire, as a consequence of the workers' revolution of 1918, Germany developed an intense artistic and intellectual activity marked in turn by political and social instability and whose dramatic end was Hitler's rise to power in 1933. Numerous artists, and photographers in particular, used their images to explore the new German society. Something similar happens with Larrea.
Absent for several years from the country, upon his return, Claudio Larrea (Buenos Aires 1963) needs to retake the city. He regularly goes out to photograph it and the distance of his missed gaze allows him to see what we have stopped seeing: decadence and grandeur, marginality, social tension, amazement and anguish of an unimposed majesty. The result of this random photographic hunt will then be organized ith the complicity of José Manuel Elliot Eyras, Larrea's partner, who knows his way in the city and acts almost as a curator in the shadows. The outcome of these nocturnal tours is República de Waires, title that refers to the Weimar Republic (officially named The German Reich). Instituted after the fall of the German Empire, as a consequence of the workers' revolution of 1918, Germany developed an intense artistic and intellectual activity marked in turn by political and social instability and whose dramatic end was Hitler's rise to power in 1933. Numerous artists, and photographers in particular, used their images to explore the new German society. Something similar happens with Larrea.
