Update_6

Update_6

by Jean-Marie Dallet, Isolde de Buck

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About
'UPDATE_6' gives an overview of how new technological art has developed since the 1950's. At the site 'Zebrastraat Ghent' various renowned and upcoming artists gave their take on the idea of new technological art. Update_6 reflects of this international exhibition and takes the reader on an insightful journey through the evolution of how the new technological arts have unfolded through history. The appearance, during the 1950's, of electronic and computer tools in the arts, forced artists to a more in-depth knowledge of techniques and their languages to "master" the new instruments that were now put at their disposal by engineers. Artists reacted to this new development in two main ways: either by collaborating with engineers or by learning to use the new techniques themselves. This new undertaking also forced the artist to make an ideological choice: proceed with the idea of art as 'causa mentale', or consider finding new ways to master the technology and submit it to their artistic needs. In practice of course, this 'pas de deux' was not as straightforward and, over time, many different exchanges and interweavings saw flourishing. This book aims to provide an overview of the most relevant authors, exhibitions, events and places. Exhibition: Zebrastraat, Ghent, Belgium (2016).

Discussion questions for Update_6

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  1. 1

    How does the shift from traditional artistic mediums to electronic and computer tools in the 1950s change your personal definition of what constitutes "art"?

  2. 2

    In what ways does the book's exploration of the collaboration between artists and engineers mirror or contrast with modern partnerships between creatives and technologists (such as AI developers)?

  3. 3

    The text highlights an early ideological choice for artists: treating art as causa mentale versus mastering the technology to bend it to artistic needs. Where do you see contemporary artists falling on this spectrum today?

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