The drama of AIDS

Michael Kearns weaves a remarkable tapestry that casts the theatre as a metaphor for how life unfolds in ways that are both beautiful and theatrical. Kearns shares the real, uncensored story of his intimate relationship with two plays-James Carroll Pickett's "Dream Man" and Robert Chesley's "Jerker"--A relationship that has spanned more than twenty years. First and foremost, Kearns writes about the theatre and its transformative powers. His is a book about putting on a show; it is a book about loss and love; it is a book about being an openly gay and publicly HIV-positive artist during the years when AIDS has unabatedly affected the world stage, literally and figuratively. It is a book about the brotherhood that the theatre engenders. The Drama of AIDS is also about immortality; how memory lives in the theatre and can be gracefully passed from one generation to another. About life in the theatre-and life, period.--Cover.