Divisionism

Divisionism

by John Tittensor, Caroline Higgitt, Bronwen Saunders

Book 1 of Winter (Series) --

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About
The representatives of Neo-Impressionism permanently liberated paint from the blend on the palette as well as from its traditional method of application, just as it had been revived through the atmospheric illusionism of the Impressionists. Beginning in France, the painterly revolution of the new movement-also known as Pointillism or Divisionism-stretched from the banks of the Seine to the snow-covered slopes of the Alps, from George Seurat to the Swiss artist Giovanni Giacometti. Unmixed and adhering to visual laws, the painters placed dots, spots, and lines of colour alongside each other so precisely that the human eye ultimately performs the job of blending the colours during the process of viewing.

Discussion questions for Divisionism

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  1. 1

    How does the shift from the atmospheric illusionism of Impressionism to the scientific, systematic approach of Divisionism change the emotional impact a painting has on the viewer?

  2. 2

    When looking at a Divisionist painting, do you find yourself more captivated by the abstract geometric pattern of individual dots and strokes, or by the cohesive image that emerges from a distance?

  3. 3

    The technique of Divisionism relies entirely on the human eye to blend unmixed colors optically; how does this active participation by the viewer alter your relationship with the artwork compared to traditional painting?

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