La musique creuse le temps

La musique creuse le temps

by Michel Imberty

Part of Univers musical

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Le thème de ce livre est celui de la continuité et la discontinuité du temps musical comme pôles extrêmes des tendances esthétiques du XXe siècle. Nous sortons à peine de l'une des crises les plus profondes de notre langage musical : avec l'effondrement de la tonalité, la fragmentation du temps et de la durée ont souvent donné l'impression que l'oeuvre, pur système combinatoire formel, ne fait plus sens. Pour comprendre ces transformations de la création musicale contemporaine, l'auteur convoque tour à tour l'histoire, la psychologie, la psychanalyse ou la philosophie.

Discussion questions for La musique creuse le temps

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  1. 1

    Imberty introduces the core tension between "continuité et discontinuité du temps musical." How does he define and illustrate these concepts, and which examples or arguments particularly resonated with your own understanding of musical experience?

  2. 2

    The book describes the "effondrement de la tonalité" as a profound crisis. As a listener, how has your own engagement with 20th-century or contemporary music been shaped by the presence or absence of traditional tonality?

  3. 3

    Imberty employs history, psychology, psychoanalysis, and philosophy to dissect musical transformations. Which of these disciplinary approaches did you find most illuminating or surprising in understanding the shift from meaning to "pur système combinatoire formel"?

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