Philosophie du western
by Astrid De Munter
Part of Philosophie
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Discussion questions for Philosophie du western
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- 1
De Munter argues that cinema "took over" the movement of conquest as the Frontier ended. How does she elaborate on this powerful assertion, and what does it suggest about the inherent capacity of cinema to shape national narratives?
- 2
If the western emerged from a profound "intimacy" between its historical era and the invention of cinema, what specific elements or recurring tropes of the classic western, in your view, best exemplify this deep connection as explored by the author?
- 3
Before reading Philosophie du western, what was your personal relationship with the western genre? Has De Munter's analysis altered or deepened your understanding of its origins and enduring significance?
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