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"Included in this Anthology are beautifully reproduced photographs by Coburn, Demachy, Eugene, Frederick Evans, Kasebier, Seeley, Steichen, Stieglitz, Strand, and Clarence White; drawings by Matisse, Picasso, DeZayas, Rodin, and Walkowitz; a watercolor by Marin. The text contains essays on photography by Maeterlinck and George Bernard Shaw; articles by Djuna Barnes, De Casseres, Mabel Dodge, Charles Demuth, Arthur Dove, Sadakichi Hartmann, Man Ray, Alfred Kreymborg and Picabia; Gertrude Stein's essay on Picasso, H.G. Wells on Beauty, William Murrell Fisher on Georgia O'Keeffe, Charles Coffin on Isadora Duncan; and poetry by Max Weber and Marsden Hartley"--Back cover.

Discussion questions for Camera work

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  1. 1

    How does the interplay between the reproduced photographs and the accompanying essays and poetry shape your understanding of early 20th-century modernism?

  2. 2

    In what ways do the photographic works in this anthology challenge or expand the traditional definition of photography as merely a tool for documentation rather than fine art?

  3. 3

    Given the inclusion of revolutionary visual artists like Picasso and Matisse alongside master photographers, how do these mediums converse with and influence one another within the collection?

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