Modern Musical Drift
by W. J. (William James)
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Discussion questions for Modern Musical Drift
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- 1
Henderson's title, "Modern Musical Drift," suggests a significant evolution in music. How does he define this "drift," and what specific musical innovations or philosophical shifts does he identify as its primary drivers?
- 2
Henderson closely examines both Wagner and Strauss. In what ways does he present Strauss as either a logical inheritor or a distinct departure from Wagner's revolutionary musical and dramatic principles?
- 3
As a critic writing in the early 20th century, Henderson's perspective is shaped by his time. What specific aesthetic values or critical biases does he reveal, and how do these influence his assessments of "modern" composers?
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