Everyday Words and the Character of Prose in Nineteenth-Century Britain

Everyday Words and the Character of Prose in Nineteenth-Century Britain

by Jonathan Farina

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"Everyday Words is an original and innovative study of the stylistic tics of canonical novelists including Austen, Dickens, Trollope, Thackeray and Eliot. Jonathan Farina shows how ordinary locutions such as 'a decided turn', 'as if', and 'that sort of thing' condense nineteenth-century manners, tacit aesthetics and assumptions about what counts as knowledge. Writers recognized these recurrent 'everyday words' as signatures of 'character'. Attending to them reveals how many of the fundamental forms of characterizing fictional characters also turn out to be forms of characterizing objects, natural phenomena and inanimate, abstract things, like physical laws, the economy and legal practice. Ultimately, this book revises what 'character' meant to nineteenth-century Britons by respecting the overlapping, transdisciplinary connotations of the category"--

Discussion questions for Everyday Words and the Character of Prose in Nineteenth-Century Britain

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  1. 1

    How does Farina’s focus on seemingly insignificant filler phrases—like "a decided turn" or "that sort of thing"—change your appreciation of the dialogue and style in canonical Victorian novels?

  2. 2

    In what ways do you think the routine language we use today acts as an unconscious signature of our own personal "character," much like Farina argues it did for nineteenth-century Britons?

  3. 3

    Farina suggests that nineteenth-century writers used the same techniques to characterize humans as they did to characterize abstract things like the economy or legal systems; how does this blur the line between people and objects in Victorian fiction?

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