Found Footage Horror Films

Found Footage Horror Films

Fear and the Appearance of Reality

by Alexandra Heller-Nicholas

244 pages· 2014· ISBN 9781476613215

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About
As the horror subgenre du jour, found footage horror’s amateur filmmaking look has made it available to a range of budgets. Surviving by adapting to technological and cultural shifts and popular trends, found footage horror is a successful and surprisingly complex experiment in blurring the lines between quotidian reality and horror’s dark and tantalizing fantasies. Found Footage Horror Films explores the subgenre’s stylistic, historical and thematic development. It examines the diverse prehistory beyond Man Bites Dog (1992) and Cannibal Holocaust (1980), paying attention to the safety films of the 1960s, the snuff-fictions of the 1970s, and to television reality horror hoaxes and mockumentaries during the 1980s and 1990s in particular. It underscores the importance of The Blair Witch Project (1999) and Paranormal Activity (2007), and considers YouTube’s popular rise in sparking the subgenre’s recent renaissance.

Discussion questions for Found Footage Horror Films

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  1. 1

    How does Alexandra Heller-Nicholas’s exploration of the "prehistory" of found footage—such as 1960s safety films and 1970s snuff-fictions—change your perspective on where this cinematic style actually originated?

  2. 2

    In what ways do you think the "amateur aesthetic" of found footage films creates a different psychological reaction in viewers compared to traditional, slickly produced Hollywood horror?

  3. 3

    Heller-Nicholas discusses how found footage constantly adapts to technological shifts; looking at the current digital landscape, what new technologies or platforms do you think will inspire the next evolution of this subgenre?

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