The king and I : the uncensored tale of Luciano Pavarotti's rise to fame by his manager, friend, and sometime adversary

The king and I : the uncensored tale of Luciano Pavarotti's rise to fame by his manager, friend, and sometime adversary

by Anne Midgette, Herbert Breslin

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"The King and I is the story of the thirty-six-year long business relationship between Luciano Pavarotti and his manager, Herbert Breslin, during which Breslin guided what he calls, justifiably, "the greatest career in classical music." During that career, Breslin moved Pavarotti out of the opera house and onto the concert (and the world) stage and into the arms of a huge mass public. How he and Pavarotti changed the landscape of opera is one of the most significant and entertaining stories in the history of classical music, and Herbert Breslin relates the tale in a brash, candid, witty fashion that is often bitingly frank and profane. He also provides a portrait of his friend and client - "a beautiful, simple, lovely guy who turned into a very determined, aggressive, and somewhat unhappy superstar" - that is by turns affectionate and satirical and full of hilarious details and tales out of school with Pavarotti emerging as something like the ultimate Italian male. The book is also enlivened by the voices of other players in the soap opera drama that was Pavarotti's career, and they are no less uncensored than Herbert Breslin. The last word, in fact, comes from none other than Luciano Pavarotti himself!"--BOOK JACKET.

Discussion questions for The king and I : the uncensored tale of Luciano Pavarotti's rise to fame by his manager, friend, and sometime adversary

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  1. 1

    How did you perceive the evolution of the relationship between Breslin and Pavarotti? Was it primarily a business partnership, a deep friendship, or something more complex and perhaps even adversarial?

  2. 2

    Breslin describes Pavarotti as a "beautiful, simple, lovely guy who turned into a very determined, aggressive, and somewhat unhappy superstar." How effectively does the book illustrate this transformation, and what do you think were the primary catalysts for it?

  3. 3

    The book promises an "uncensored tale" told in Breslin's candid, often profane style. In what ways did this approach enhance or detract from your understanding and enjoyment of Pavarotti's story, and do you believe it offered a more authentic portrait than a sanitized version might have?

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