From utopia to reality

The thesis deals with the visualization of urban roads and mobility in architecture and urbanism in the postwar period, with a particular emphasis on intervisual links that inform visions of the mobile city. Through an exploration of empirical material ranging from municipal master plans to artistic motorway representations, it shows how seemingly remote disciplines are connected through a complicated exchange of images across time and space. Images of the mobile city influenced the international postwar architecture culture, exemplified by Team 10?s radical views on urban mobility, which charged the urban motorway with intrinsic aesthetic values. This discourse and its visualization strategies made a huge impact on the planning of Oslo in the postwar period, a time when car culture became deeply entangled in architectural and visual discourses. The thesis challenges the established perception of postwar Oslo as a technocratic city governed by pragmatism as it shows how utopian aspirations on behalf of urban motorway introduced a plethora of aesthetic, visual and architectural impulses that came to expression in the 1950s and 1960s. These influences can be detected in the contemporary Oslo cityscape, as traces of an urban aesthetic that made the leap from utopia to reality in far more sophisticated ways than previously acknowledged.