Northern European metalpoint drawings

Northern European metalpoint drawings

by Joanna Russell

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About
This publication is the result of a project of technical examination on metalpoint drawings which was undertaken in preparation for the exhibition Drawing in Silver and Gold: Leonardo to Jasper Johns. In this volume we report the results of the examination of thirty metalpoint drawings in the British Museum's collection from Germany and the Low Countries dating from the 15th to 17th centuries. This research builds on the work done for an earlier project, published in Italian Renaissance Drawings: Technical Examination and Analysis. The research methodology used combines techniques of visual examination, technical imaging and chemical analysis in order to understand drawing techniques and the use of materials. In some cases curators had particular questions that might be further investigated through this research. The results are fully documented here and it is hoped that this will form a useful reference in the future, as comparative information in the examination of drawings in other collections.

Discussion questions for Northern European metalpoint drawings

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  1. 1

    How does the intersection of hard science (chemical analysis and technical imaging) and art history change the way you perceive the intimacy and vulnerability of a centuries-old drawing?

  2. 2

    If you could subject any everyday object or personal artifact from your own life to modern technical examination, what secrets or history would you hope it would reveal?

  3. 3

    The book highlights how Northern European artists from the 15th to 17th centuries utilized metalpoint—a medium that requires immense precision and cannot be easily erased. How does this demand for permanence reflect or contrast with the way we create and correct things in our modern digital lives?

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