Sutur ar libert-ar

In the course of her research, of both theoretical and historical documents, photographs, manifestos and newspapers, Marcela Cantuária (Brazil, 1991) collects references that trigger the capitalism / socialism and individualism / collectivity dichotomies. Sutur | ar libert | arʺ, which brings together paintings produced in the last three years, is guided by these references, focusing on another tension: ruin and transformation. Cantuária is strongly influenced by the 20th century Mexican muralists (Dr. Atl, Siqueira, Rivera, Orozco...), since "her face hit the wall" during her trip to Mexico. "The seminar " El Sur nunca muere: Arte y resistencia en América Latina " (The South never dies: Art and Resistance in Latin America), part of the program of Sujet-ar Libert-ar, and the publication of this catalog are inserted into the movement to deepen the theoretical aspects that involute the production Marcela Cantuária's painting production, evoking other voices and weaving with other theoretical, artistic and poetic research. In this seam of texts, we have the communications presented in the seminar -texts by Luiza Mader Paladino, Walla Capelobo, Pricilla Menezes and Lais Amorín - the critical text of Alice de Palma and Ana Elisa Lidizia and the Letter of Adriana Verajão" (HKB Translation) --Page 13.