Rock, counterculture and the avant-garde, 1966-1970
by Doyle Greene
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Discussion questions for Rock, counterculture and the avant-garde, 1966-1970
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- 1
How does the book redefine the relationship between popular rock music and high art during the turbulent years of 1966 to 1970?
- 2
In what ways do you see the philosophies of the historical avant-garde—such as Dada or Brechtian alienation—manifesting in the music and performances of your favorite 1960s rock acts?
- 3
Greene explores how the counterculture attempted to merge radical politics with artistic experimentation; do you think this synthesis ultimately succeeded or was it co-opted by commercialism?
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