The modern Scottish novel

The modern Scottish novel

by Cairns Craig

1999

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"In the last quarter century, Scottish novelists from Muriel Spark, Alasdair Gray and Allan Massie to James Kelman, Janice Galloway, A. L. Kennedy and Irvine Welsh have achieved significant international success. In The Modern Scottish Novel Cairns Craig shows how the work of such writers is constructed by a powerful national tradition in the novel, formed in the first decades of the century by writers such as John Buchan, Nan Shepherd, Lewis Grassic Gibbon and Neil Gunn, a tradition whose distinctive thematic and formal concerns have shaped a unique contribution to the novel in English." "Craig argues that the Scottish novel has had to develop a highly specific set of formal techniques to cope with a situation in which the dominance of the English language is challenged by the survival of the rich inheritance of Scots speech, and in which the continuing effects of Calvinism imply that all fiction is necessarily deceitful, when not actually diabolic. Craig also sets the Scottish novel in the specific traditions of Scottish intellectual life - from J. G. Frazer to John Macmurray and R. D. Laing."--BOOK JACKET.

Discussion questions for The modern Scottish novel

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  1. 1

    How does Cairns Craig’s argument that Scottish literature is shaped by a continuous national tradition challenge or change your previous understanding of modern novels written in the English language?

  2. 2

    In what ways do you see the tension between standard English and the rich inheritance of Scots speech playing out in the dialogue and narration of contemporary Scottish books you have read?

  3. 3

    Craig suggests that the lingering influence of Calvinism has historically made Scottish culture view fiction as inherently deceitful or dangerous; how do you think modern writers reconcile this moral hesitation with the act of storytelling?

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