Great houses of the National Trust

Great houses of the National Trust

by Lydia Greeves

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"The National Trust cares for a wealth of houses and historic buildings of all types, ranging from the grand to the quirky to the humble. This captivating book showcasing those buildings is a guide to some of the greatest architectural treasures of Britain, encompassing both interior and exterior design. The houses covered include spectacular mansions such as Petworth House and Waddesdon Manor, and more lowly dwellings such as the Birmingham Back to Backs and estate villages like Blaise Hamlet, near Bristol. In addition to houses, the book also covers fascinating buildings as diverse as churches, windmills, dovecotes, castles, follies, barns, and even pubs. The book also acts as an overview of the country's architectural history, with every period covered: the medieval stronghold of Bodiam Castle, Tudor eccentricity in Hardwick Hall, 18th-century grandeur at Kedleston Hall, Victorian fantasy at Tyntesfield, and the clean-lined Modernism of the Homewood. The book teems with stories of the people who lived and worked in these buildings: wealthy collectors (Charles Wade at Snowshill), captains of industry (William Armstrong at Cragside), prime ministers (Winston Churchill at Chartwell), and pop stars (John Lennon at Mendips)."--Publisher.

Discussion questions for Great houses of the National Trust

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  1. 1

    How does Lydia Greeves use the architecture and design of these historic properties to tell the deeper social history of Britain, shifting our focus from the elite owners to the everyday people who built and maintained them?

  2. 2

    If you could permanently reside in one of the architectural eras featured in the book—from medieval strongholds and Tudor eccentricities to Victorian fantasies and clean-lined Modernism—which would you choose and why?

  3. 3

    The book highlights a vast spectrum of spaces, ranging from grand palaces like Waddesdon Manor to humble dwellings like the Birmingham Back to Backs. How does contrasting these different types of buildings alter our understanding of British heritage?

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