Arcangelo Corelli

Arcangelo Corelli

by Allsop

Part of Oxford monographs on music

1999

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The first full-length study for forty years, Arcangelo Corelli offers a much needed reassessment of the seminal composer's life and works. His current historical perspective is still largely conditioned by the opinions of Burney and Hawkins in the late 18th century who saw him as the consolidator of past trends rather than an instigator - a view fully endorsed in the two biographies of the present century. Neither of these writers was truly in a position to make such judgements if only because neither was aware of the contributions of the Roman School to which Corelli emphatically affirmed his allegiance. Extensive archival research over recent years now dispels much of the anecdote and hearsay accumulated over the centuries and makes possible a more balanced evaluation of Corelli's true status in the development of the prime instrumental genres, accounting for his phenomenal success both during his lifetime and in the creation of musical canon in the decades after his death.

Discussion questions for Arcangelo Corelli

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  1. 1

    Dr. Allsop's work challenges the long-standing perception of Corelli as a mere "consolidator" rather than an "instigator." How effectively does the book dismantle these earlier views, and what evidence did you find most compelling in reshaping your understanding of Corelli's originality?

  2. 2

    The book highlights the limitations of 18th-century historians like Burney and Hawkins, particularly their lack of awareness of the Roman School. How does this illustrate the crucial role of context and contemporary sources in accurately assessing historical figures and their contributions?

  3. 3

    Extensive archival research is presented as key to dispelling "anecdote and hearsay." What examples within the book best demonstrate the power of new primary source discovery in correcting historical narratives, and how might this apply to other historical figures you're familiar with?

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