The charming Cicada studio

The charming Cicada studio

by Terese Tse Bartholomew, So Kam Ng Lee, Mayching Kao, Shao-An Chao

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About
At the beginning of the twentieth century the first conscious effort to modernize traditional Chinese painting was initiated by Gao Jianfu, his younger brother Qifeng, and Chen Shuren in the southern port city of Guangzhou (Canton). The art movement they began, referred to by later critics as the Lingnan school, sought to create a new national painting that could be modern, yet remain Chinese. In 1920, Chao Shao-an became Gao Qifeng's student and inaugurated a lifelong commitment to modernize Chinese painting. Now residing in Hong Kong, Professor Chao, the renowned living master of the Lingnan school, has had his paintings displayed in numerous international exhibitions. Like other artists of the Lingnan school, Chao Shao-an developed an art that emphasized sketching and painting from nature. He is especially noted for his talent in depicting birds and flowers and insects, the subject matter of the majority of the painting included in this volume.

Discussion questions for The charming Cicada studio

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  1. 1

    How does the Lingnan school’s core mission of creating a "modern yet Chinese" national painting resonate with the broader cultural challenges of preserving tradition in a rapidly changing world?

  2. 2

    In what ways does Chao Shao-an’s dedication to sketching and painting directly from nature change your perception of traditional Chinese art forms?

  3. 3

    When you look at Chao Shao-an’s depictions of birds, flowers, and insects, what specific emotions or atmosphere do these subjects evoke in you?

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