Central Park

Central Park

by Bruce Davidson

1995

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About
Bruce Davidson's photographs of Central Park reveal a humane, democratic haven of breathtaking beauty and ecological secrets, as well as a site for wondrous adventures. Renowned as an intrepid explorer of the urban terrain, and a member of Magnum Photos, Bruce Davidson has challenged himself in a remarkable new way, taking on the visual and metaphorical scope of Central Park. This chronicler of the New York subway, the civil-rights movement, and of life in East Harlem finds himself - as suddenly and surprisingly as Alice in Wonderland (who appears in one of his more humorous photographs) - in his city's verdant oasis. Davidson's photographic approach to the park's wildlife - human and otherwise - varies as much in format (panoramic, 35mm., and square) as it does in emotional quality. Complemented by an essay by author, journalist, and translator Marie Winn, a preface by writer and Central Park Conservancy Director Elizabeth Barlow Rogers, and Davidson's own anecdotal reflections, Central Park provides an expansive view of this wonderfully intricate and varied space.

Discussion questions for Central Park

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  1. 1

    How does Bruce Davidson transition his usual gritty, documentary-style focus from spaces like the New York subway and East Harlem to the "verdant oasis" of Central Park, and how does this shift alter his storytelling?

  2. 2

    In what ways do Davidson's photographs capture Central Park as a "humane, democratic haven," and do you think public spaces in modern cities still serve this function today?

  3. 3

    Davidson uses multiple photographic formats—panoramic, 35mm, and square—throughout the book; how do these varying formats change your emotional connection to the scenes and people he captures?

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