Grička vještica I - VII
by Marija Jurić Zagorka
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TAJNA KRVAVOG MOSTA
KONTESA NERA
MALLEUS MALEFICARUM
SUPARNICA MARIJE TEREZIJE u dva sveska
DVORSKA KAMARILA MARIJE TEREZIJE
BUNTOVNIK NA PRIJESTOLJU
Dugo sustavno prešućivana, osporavana i estetski diskriminirana, proglašavana autoricom „šunda” koja u svojim djelima podilazi najnižim čitateljskim instiktima, Marija Jurić Zagorka danas je nezaobilazno ime ne samo kad se govori o procesu širenja hrvatskoga čitateljskog kruga, nego i o razvijanju jednoga tipa proznog pisma bez kojega bi hrvatska književnost bila bitno osiromašena.
Uz pogovore Krešimira Nemeca (Stroj za proizvodnju priča) i Alemka Gluhaka (Jezik vremena Marije Jurić Zagorke), Grička vještica pojavljuje se u grafičkom oblikovanju Meline Mikulić i likovnoj opremi Jenija Vukelića.
Discussion questions for Grička vještica I - VII
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- 1
How does Marija Jurić Zagorka use the historical backdrop of 18th-century Zagreb and the witch trials to explore the timeless theme of institutional corruption and the abuse of power?
- 2
In what ways does the character of Countess Nera challenge traditional gender roles and societal expectations of women during a period of extreme prejudice and superstition?
- 3
Zagorka’s work was historically dismissed by critics as "trash literature" or sensationalist pulp, yet it remains immensely popular and culturally significant; how does the tension between high literature and popular storytelling manifest as you read through this epic cycle?
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