Rewritings, Sequels, and Cycles in Sixteenth-Century Castilian Romances of Chivalry

Rewritings, Sequels, and Cycles in Sixteenth-Century Castilian Romances of Chivalry

by Daniel Gutiérrez Trápaga

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About
Castilian romances of chivalry were the dominant form of fiction in Europe during the peak of the Spanish Empire in the the sixteenth century. Whilst the material traits of chivalric romances have been thoroughly studied, Don Quijote's shadow has often resulted in the neglect of the literary aspects and influence of the genre, thus hindering our understanding of Golden Age and Spanish fiction. Conversely, this book examines the literary transformation of the genre throughout the sixteenth century from the perspective of intertextuality. In particular, this book focuses on the literary practices central to the craft and development of the genre: the rewriting of previous romance, the writing of sequels, and the formation of narrative cycles. These three processes defined the poetics of the genre and set the bases and literary techniques for other fictional genres and works, including Don Quijote itself.

Discussion questions for Rewritings, Sequels, and Cycles in Sixteenth-Century Castilian Romances of Chivalry

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  1. 1

    How does the looming cultural shadow of Don Quijote prevent modern readers—and historical scholarship—from fully appreciating the genuine literary innovation within sixteenth-century Spanish chivalric romances?

  2. 2

    In what ways does the concept of "rewriting" existing stories in the sixteenth century mirror the modern obsession with cinematic reboots, franchises, and fan fiction, and what does this say about our enduring desire for familiar narratives?

  3. 3

    The book highlights how narrative cycles and sequels allowed authors to expand entire fictional universes; how do you personally feel about long-running series or extended universes in the books, television, or media you consume today?

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