Illuminations: Essays and Reflections

Illuminations: Essays and Reflections

by Walter Benjamin

288 pages· 1969· ISBN 9780805202410

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About
Studies on contemporary art and culture by one of the most original, critical and analytical minds of this century. Illuminations includes Benjamin's views on Kafka, with whom he felt the closest personal affinity, his studies on Baudelaire and Proust (both of whom he translated), his essays on Leskov and on Brecht's Epic Theater.

Also included are his penetrating study on "The Work of Art in the Age of Mechanical Reproduction," an illuminating discussion of translation as a literary mode, and his thesis on the philosophy of history. Hannah Arendt selected the essays for this volume and prefaces them with a substantial, admirably informed introduction that presents Benjamin's personality and intellectual development, as well as his work and his life in dark times. Reflections the companion volume to this book, is also available as a Schocken paperback.

Unpacking My Library, 1931
The Task of the Translator, 1913
The Storyteller, 1936
Franz Kafka, 1934
Some Reflections on Kafka, 1938
What Is Epic Theater?, 1939
On Some Motifs in Baudelaire, 1939
The Image of Proust, 1929
The Work of Art in the Age of Mechanical Reproduction, 1936
Theses on the Philosophy of History, written 1940, pub. 1950

Discussion questions for Illuminations: Essays and Reflections

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  1. 1

    Benjamin argues that mechanical reproduction diminishes the "aura" of a work of art. In what ways do you see this idea playing out in contemporary culture, particularly with digital art, mass media, or even social media's impact on personal images?

  2. 2

    Benjamin describes his collection of books not just as objects, but as a "biography of his relationship with objects." How do your own personal collections – be they books, photographs, or other items – function as repositories of memory and identity for you?

  3. 3

    In "The Storyteller," Benjamin laments the decline of traditional oral storytelling, attributing it to the loss of shared experience and the rise of information. Do you believe true "storytelling" in his sense still exists today, and if so, where do we find it, or what forms has it taken?

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