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L'étude couvre toute l'oeuvre (roman, poésie, théâtre) d'Anne Hébert. Les textes jugés importants font l'objet d'une analyse détaillée. L'accent est mis sur les continuités thématiques et l'évolution de la problématique d'ensemble (la recherche et l'illustration d'un "humanisme non idéaliste", d'une intériorité pulsionnelle sans sublimation créatrice de mensonge (cf. p. 276), d'une "transcendance de l'immanonce" (A. Renaut). Premier public concerné: les étudiants en lettres québécoises. [SDM].

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