Renaissance discourses of desire

Renaissance discourses of desire

by Claude J. Summers, Ted-Larry Pebworth

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Love and sex are preeminent subjects of Renaissance literature; however, attitudes toward these topics were hardly uniform. The discourses of desire from this period embrace works as dissimilar as sonnets on frustrated love and libertine invitations to lust. Writers both idealized and demystified sex, alternately equating it with religious transcendence or exposing it as a mere bodily itch. The fifteen essays in this volume clarify the sexual beliefs and prohibitions of the Renaissance period and examine the manifestations of those ideas in literature. Renaissance Discourses of Desire confronts important questions about the relationship of sexuality and textuality in the period using a variety of critical methods and ideological presuppositions. Some of the essays focus on the intertwining of political and sexual discourse, the difference between men and women as desiring subjects, and the erotics of criticism. The representation of homoerotics and homosexuality is discussed as is the impact of economic and social ideologies on love poetry and sexual expression. Among the texts explored are works by Shakespeare, Spenser, Donne, Carew, Herrick, Suckling, Burton, Katherine Philips, Aphra Behn, and Milton. With their varied approaches, these essays illustrate the richness of the topic and its susceptibility to a number of critical techniques. Illuminating important authors and significant texts, the essays collected here contribute to a fuller understanding of the complexities and range of seventeenth-century discourses of desire, while also helping to chart the outlines of the period's sexual ideologies and anxieties.

Discussion questions for Renaissance discourses of desire

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  1. 1

    How does the tension between the idealization of love and the demystification of sex in Renaissance literature mirror or challenge our own modern cultural attitudes toward romance and physical desire?

  2. 2

    The collection highlights how writers alternately equated sex with religious transcendence and dismissed it as a mere bodily itch; in your reading or life experience, how do you see these two extremes coexisting today?

  3. 3

    In what ways do the essays demonstrate that the language of political power and the language of sexual desire were deeply intertwined during the Renaissance?

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