Mojmir S. Frinta
Deletions from the oeuvre of Pietro Lorenzetti and related works by the Master of the Beata Umiltà, Mino Parcis da Siena, and Jacopo di Mino del Pellicciaio
New evidence of the relationship of Central European and Italian painting during the Fourtheenth Century
On the punched decoration in medieval panel painting and manuscript illumination
Punched decoration
Raised gilded adornment of the Cypriot icons
The genius of Robert Campin
Unsettling evidence in some panel paintings of Simone Martini
[Book-reviews]